16/36
I travel a lot
Tale
The ghosts of a deceased couple are haunted by an insufferable family that moves into their home and hires a malevolent spirit to exorcise them.. This is Michael Keaton’s favorite movie.. Otho’s shoes when he spray paints the walls of the house change from red shoes Adam : What are your qualifications? Beetlejuice: Ah. Well… I attended Juilliard… I graduated from Harvard Business School. I lived through the black plague and had a pretty good time during it.
WHAT ARE NOW T?
I’ve WATCHED THE EXORCIST ABOUT ONE HUNDRED SIXTY SEVEN TIMES, AND IT GET FUNNIER EVERY TIME I SEE IT… NOT TO MENTION THE FACT THAT YOU’RE TALKING TO THE DEAD… Do you think I’m qualified? The Geffen logo is accompanied by an eerie version of the Banana Boat song (sung by the film’s composer, Danny Elfman). A work print of the film has surfaced with some added/alternate scenes. This version of the film is about 2 minutes shorter than the theatrical release, has a few extra scenes and is missing some others, is in black and white, and has a timecode at the bottom.
Instead of a desert, he sees an empty darkness filled with rolling cogs
This version has 4 main differences: Alternate Scene: There is a different scene where Adam tries to leave the house after he and his wife have died. Additional Scenes: Added a scene where Lydia develops the pictures she took of Adam and Barbra. Then, after her mother yells at her and blames her for cutting holes in her sheets, Lydia runs upstairs and tries to convince her father that the pictures are real. There’s more to it than the scene where the adults search the attic for ghosts where we see a desert monster trying to eat Adam and Barbra while they’re hanging from an attic window. There is an extra 2 minute scene at the end where we see Lydia riding her bike home from school and her parents talking to Jane on the phone telling her they don’t want to sell the house. Lydia’s dance scene is shorter in this version and there is no scene with Beetlejuice in the waiting room.
Edited in Terror Toons (2002)
The film ends with a final shot of the exterior of the house. Day-OTraditional, lyrics by William A. Attaway & Irving Burgie[Incorrectly listed as written by William A. Attaway & Irving Burgie (as Lord Burgess)] Performed by Harry Belafonte Courtesy of RCA Records. This is by far Michael Keaton’s best performance. Every time he comes on screen, he gives a performance so eccentric that it rivals Jim Carrey from ‘The Mask’, only without so much computer help.
This is a classic
If his role calls for crudeness, he brings abhorrence; aggressive he brings the offensive; witty he brings hilarious sarcasm. One of my few complaints is that he doesn’t get enough screen time, although he does get a lot of it, most of it going to Gena Davis and Alec Baldwin. Tim Burton’s direction is great. My favorite scene by far doesn’t even have Michael Keaton in it. Anyone who saw this will remember it as the dinner dance scene. If you haven’t seen it, you must have grown up under a rock or were born before me.
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